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An Introduction to Street PerformingRasmus Rimestad - 5th June, 2002. Many of us have a dream of going out into the streets, conquering it, making a huge crowd stop and watch us juggling, enjoying themselves, having fun, and finally, putting money in our hats. This article will try to explain how you build up such a show in the classic tradition. First of all. Stand so that you are the one getting the sun in your eyes. This might be tiring, but better you than your audience, since they are the ones that are paying you. Bring a LOT of stuff. Bring your unicycle even if you're not going to use it. It looks spectacular. Then use a lot of time putting it up, maybe put on some music and people will gather around and wait for you to start. You can do a little basic juggling once in a while while you're setting everything up. The point of setting things up is almost the most important thing of all. You can't really start a show without someone watching. And if you just stand there juggling, and think "people will gather", they probably will, but leave again after a very short time thinking "now we've seen it all". You have to build up expectation! That's why you should should bring a lot of stuff and leave it so people can see. A lot of flammable liquids, some knives, anything that is spectacular! Also, wear a stupid costume if you feel that fits into your act. Street performers usually perform in the role of a fool. Have you ever done theatre? Well, this is the time to start. Make people dance to the music, flirt with the ladies, anything really that will make them stay. If you've managed to make grown-up people (children will stay whatever you do :o) think "I haven't got time for this. I'm leaving... ahhh... he is quite cute... no I'll stay" about three times, they probably will stay for the rest of your show. If you manage to make them do this thinking during your set-up, GREAT! Next. Show people that you are a fool, but that you are a fool with some skills. Do some simple, entertaining, stupid juggling. Five balls might be more advanced but it doesn't look as good as a well set up jugglers tennis. Talk to the audience all the time. Practice improvising to anything that happens. If a cell-phone rings, offer to answer it, if someone doesn't smile, point it out to them, if someone drinks something, demand to taste, if someone shouts loudly to you... well, tell them not to steal your show. Anything that's funny is allowed. There is a theatre festival going on in my neighbouring town, and I'm really amazed to see how morbid and perverted humor people stick up with.
Example:
Now you should start building up to your grand finale. This is the longest bit. You grand finale should be something which can involve a lot of people. Get up some people "the most macho people in Holland" and make them hold your rope, your unicycle, your torches anything. If people won't come up to you, DO NOT TAKE A NO FOR A NO! If you do, it'll be impossible bringing someone else up. Learn some tricks to bring people up. Go out into the audience to your victim, take her/his hand and ask them to stand in the front row then take them all the way on-stage. Do a lot of jokes about how dangerous this is. Not necessarily for yourself, but for the audience. Build tension! That is the alpha and omega of street-performing. You have to make people expect a lot. Please lie. Tell them this is the first time you've done the trick, even though the audience won't believe you, it will help build tension, and gives room for a lot of jokes. Alright. Now, right before you are finally going to do the act. You've got 4 macho males on each side of your tight-rope holding it, you've got one sexy lady laying under it, and you've got another person holding your torches. Everything is set up. Become serious and tell them that you try to do this for a living and that you will, after the show, hold out your hat and ask people for money. If they've had a good time, please come down here and put some money in your hat. And children, if your parents don't give you an Euro to put in the hat, it means they don't love you. No that was a joke, it means they're not your real mum and dad (more of that morbid humor I heard at the festival.) End the speech with something funny to release the serious tone before completing it. The finale doesn't have to be long. Many people spend 20 minutes building it up, and then they juggle for 10 seconds... might seem boring now, but juggling really gets boring after a while. We have to face it. If you're not a juggler you're not really understanding what is going on and how hard this and that is. You'll just see a lot of balls or clubs flying around. And that's impressive, but not for long. Then put your equipment on the ground, take up your hat and hold it out. Be sure to "insult" people who are leaving without paying. view in thread mode or date mode post a new message21st Jun 2002 well well well ,that' s probab... well well well ,that' s probabilly it.Damn ,that' s why nobody ever watched me doing 9 clubs backcrossed!!! 4th May 2007 the more the marrier working in North America is especially tough because its had to get people to stop, their in a hurry and never have enough time. I like to use lines like I'm getting ready to start the show if you can hear me great..if you cant turn off your i pod because this is a live show and you guys right here are a live audience say ya if your alive out there...theres alot of you and one of me and right now Im louder do you wanna see a show. or make some really nasty joke( my personal favorite is ok parents I'm going to tell a dirty joke if you don't want your kids to hear it put your hand over their ears and hum its a small world and then follow it at the end with if i said or did anything that offended you during the show write it on a 20 ill never say it again ...always gets the laugh rarely gets the 20. I have noticed 2 things the more hat lines and the more involved the audience the more money you make. 22nd Dec 2004 Excellent comme article, juste... Excellent comme article, juste un petit détail... si vous vous plantez n'hésitez pas ŕ accuser quelqu'un dans le public de vous avoir déconcentré ou bien avouez que vous avez commencé ce matin et que votre vrai métier c'est ??? ( pas inspecteur des impots tout le monde fuirait immédiatement...) 29th Jun 2004 A really good article. Of cou... A really good article. Of course, we shouldn't hack the lines but you give some good examples, and I think a good picture into the mentality that goes into shows. Really appreciate you taking the time to teach! 7th Jun 2003 yeah thanx, thats some funny s... yeah thanx, thats some funny stuff and its so tru what ppl find funny. well thanx i will have to try stuff out. 10th Sep 2002 hi,ich finde deinen artikel ga... hi,ich finde deinen artikel ganz grosee klasse und wir würden ihn sehr gerne auch in der kindercircus zeitung veröffentlichen. ich freue mich von dir zu hören. zauberhafte grüße dino www.kindercircus-zeitung.de 27th Aug 2002 Comment to next comment:
port... Comment to next comment: portefeuille = wallet "Get out your wallet, take out two euros, then give me the rest" 13th Aug 2002 (scuse i'm french)
Prepare wo... (scuse i'm french) Prepare words for begging money, it's the most important words in all the spectacle ;) ex: "Take your smooth (in french: portefeuille.. don't know the english word), take one or two euros...and give me the rest thx ^^" 14th Jul 2002 Thanx for the tips;funny stuf
... Thanx for the tips;funny stuf 11th Jul 2002 that was interesting to read a... that was interesting to read as im hoping togo out busking this summer thanx 1 2 |
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very good article
i also make streetshows but sometimes i can t talk really and i only juggle ,i no it s a shame :-)
to work with volounteers is one of the most important thing !
to find an good volounteer is the hardest thing !
thx for the article