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Copying TricksSteven Ragatz - 1st January, 1990. Can I copy someone elses tricks to put in my juggling routine?
If you are asking then you probably have some doubt about the integrity of your choice of material. The decision where one draws the line between plagiarism and flattered imitation is a subjective one. You will have to resolve those issues with yourself. I suggest that you be honest and true to your dream of what you wish to do with your performing. If you follow your vision, and are true to it, then your individual interpretation of the craft will become evident. Ultimately, what happens is that you will include material that in your mind is "questionable" into your act. You will then get that gig that you wanted and you will begin doing shows, all the while justifying that nagging little voice in the back of your mind reminding you that part of the act was lifted in one way or another. There will be parts of your act that you are confident are original, and subsequently, are performed with pride and confidence. Then there will be those parts that you feel were copied. The copied parts never feel as good in spite of the fact that often they work well in front of the crowd. The goal of the process is to identify those parts that produce doubts, for what ever reason, and selectively eliminate them. This may happen all at once, or over time. This may happen due to your own internal critique or because some other individual makes comments on your act. Whatever the case, you will want to get the act to a point where you can take in onto any stage in any venue with pride and conviction, making a statement about yourself through your performance rather than simply demonstrating that you can execute someone else's routines and tricks. Ask yourself, "Can I do this on The Tonight Show and be proud?" This is not such an extreme question. Have faith in your abilities and your future. The prospects of taking one's work to very broad markets, such as millions through television, should never be preempted because of short-sighted writing. Take the plunge and enjoy the ride. Steven Ragatz view in thread mode or date mode post a new message29th Dec 2006 Copying is nothing to be ashmed of Why should we be ashamed of taking something we saw someone else doing and incorperating it into our routines? How do you think any trick proliferates? Have you ever done a mills mess on stage? or back crosses? or albters/treblas? You didn't make them up, someone else did, so how is that any different. If jugglers never copied eachother, juggling would be a lot less exciting than it is today. So go out admire oter jugglers and copy any move that takes your fancy. Let no man tell you what you can or can't do with your jugglng props. 30th Jun 2006 What about paid for routines? I wonder about paying a creative writer... sorta like some song writers who do the music or the lyrics but hire others to do the other half... or hire writers for all of the music and only perform the music & lyrics someone else imagined for them. 1st Oct 2006 Re: What about paid for routines? The difference between an homage and an act of plagerism is very hard to destinguish. I think if you are going to perform someone else's tricks then you must make sure that you intention is to respect the orrigional performer. If you perform a trick that is so much a part of a person's juggling that it is their trademark then you must exhibit some kind of irony or respect. For example if you were to perform Brunn's impossible trick it would be poor form not to be sure that your audience were awere of Brunn's version. |
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But I find you can't copy acts. An act is a unique. I would be angry if someone else would steal my jokes.
I agree completely that jugglers shouldn't steal acts though. That is two things: 1 down right lazy, and 2 not very creative. Every one has a brain that they can use to make up original and fun juggling acts, so use it and enjoy the reward of knowing that you didn't steal someone elses act.